Sum it up, and creating growing sonic landscapes has been made simple on every level. In addition, the new AHD on Release modulator animates any parameter note release for instant responsiveness. And within The Grid, the start or release of signals can now be suspended with the Logic Delay module. On the modulation level, the ADSR, AHDSR, and Note Sidechain modulators all have similar Pre-delay controls now. Note Delay waits up to two bars (or five seconds) before passing notes to a layer. It was common practice to track synths in mono, even poly synths, because many of them had mono outputs (prophet 5), so players would double and triple track the same parts with slight variation - sometimes up to six passes of the same part (the song "gloria").Keyswitches turns a range of notes into controls that target specific layers (good for film scoring with different sounds and articulations).ĬC mode uses any control change message to sweep through the available layers (like using mod wheel to cycle through various note FX), and Program Change does the same with those kinds of MIDI messages (common from pedal controllers, etc.). (If you're tracking dry, you might think about doing two mono passes - I think that's what some of the posters are suggesting.) If your effects are outboard, or can be added after the fact, then consider tracking separate right/left parts dry, then add effects to a stereo send. Basically, wouldn't time based effects lose their effect if I just double track?If you're tracking stereo sources with stereo effects, then track in stereo. You are saying it's better to just double track? While I love double tracking most sources, would I not be taking advantage of the stereo effects that are coming out of the synth, or would I be messing up a stereo flanger effect I have going on the synth before it gets to my computer (Hardware Stereo Flanger). So What I am doing now is using stereo outs on my synths, and when its to my DAW, I'm assigning the synths output to be split into two mono tracks hard panned from each other. you could remove the bass from the S side to give a sense of seperation). Use judiciously some MS processing, place the recording in the middle, make two copies of it, place them L and R and process them with MS (i.e. Use a harmonizer, like very tiny amounts of pitch-shift and pan LCR or whichever way you likeĥ. There will be timing imperfections which you may like.Ĥ. just record two takes, one for the L one for the R. You could use a very light and slow LFO on the L channel modulating cutoff plus send the inverted LFO to the R channel orģ. Don't just copy the left channel to the right. Use a sample delay and you get a beautiful sense of pseudo-stereo that doesn't mess with your L-R levelsĢ. Any takers care to share their thoughts and experiences? Happy New Year's btw!In addition to what you already wrote, I would also suggestġ. I've tried looking up if anyone else has been doing it, but can't find any talk about it. maybe use a little nudge on one side and volume difference to create separation. My thought is I gain more control of the spread and would have a tighter tailored stereo spectrum. and what the benefits are of each? I was wondering of hard panning dual mono synth tracks in the DAW, instead of using a stereo track in the DAW. So I'm curious as to what others are doing in this regard. My advice is try it, you might like it, you might not, or you may find it works well in some cases, in others, not so. Still, you’ll probably end up grouping the dual mono into a stereo send where you can effect both sides, if the track is stereo to begin with. Also, as you pointed out, sliding tracks against each other is easy too. However, when mixing, dual mono allows easier balancing of tracks, say your left channel is a bit too loud, in dual mono, it’s a cinch to fix. I like this because I can track stereo sources faster in stereo, do rough eq fixes, panning etc, without having to group tracks and use more screen real estate with an extra send and aux return. Any takers care to share their thoughts and experiences? Happy New Year's btw!There are advantages to tracking a stereo source as dual mono, but you can do it later in the process - most DAWS will offer a “split to mono” feature, allowing a stereo track to become dual mono.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |